In Seattle, on Sunday, Seattle Sounders FC beat the Portland Timbers 1–0 in the Cascadia Cup battle. Stefan Frei notched his fourth shutout this season while Clint Dempsey scored the winning goal in the 77th minute with an assist from Andy Rose. Seattle is now 1–0 in the cup while Portland falls to 0–2.
Portland almost scored minutes later when sub Fanendo Adi rattled the crossbar in the 81st minute. The Timbers also led the Sounders in shots with 11–10. Seattle was glad to have points before hitting the road. Head Coach Sigi Schmid added “We’ve got 13 points now in seven games, so we’re happy with that and we want to come back from these three road games with as many as possible.”
The total crowd on Sunday was tallied at 41,451. Seattle now stands at 4-2-1 with Portland struggling at 2-3-3. Portland hosts the Vancouver Whitecaps next weekend and Seattle travels to face New York City FC.
On Tuesday, South Korea staged a huge military parade to mark its armed forces’ 65th anniversary in a display of long-range missiles considered a direct threat to North Korea. 11,000 troops and 190 different weapons systems were on display in the parade. Wikinews interviewed several specialists about the parade’s possible significance.
On Friday, a network of diverse Internet-connected devices targeted the Dyn domain registration service provider. It took down Dyn clients, including several popular websites such as Twitter, Netflix, Spotify, Reddit, New York Times, and Wired.
The attack involved targeting Dyn’s domain name system servers with a large volume of requests, rendering it incapable of serving replies to legitimate requests — a DDoS (distributed denial of service) attack. Users’ browsers and other clients sent requests to Dyn to resolve the respective web sites’ domain names to an IP, but did not get a reply within the time required.
The first attack started at about 7am local time (UTC-4) and was resolved in two hours. A second attack started at mid-day, and a third attack started at about 4pm local time. Tens of millions of malicious request sources were observed, interfering with legitimate Dyn traffic.
The reports noted the malicious devices included internet-connected devices — not only servers and desktops, but also webcams, digital video recorders, routers — referred to as the Internet of Things.
On Friday evening Dyn said a security company Flashpoint and a cloud services provider Akamai identified symptoms of malware Mirai participating in the attacks. The malware infects the devices by brute forcing their passwords. This strategy may work as a consequence of users’ negligence towards password security of stationary devices, which the users do not directly interact with in their everyday life while leaving them exposed to the Internet.
Matthew Prince, the CEO of an Internet infrastructure company Cloudflare said it’s a known issue, “There’s nothing really new about [this type of DDoS attack]. We’ve seen them for at least the last three years, they tend to be difficult to stop”.
Public release of Mirai source code was announced at Hackforums on September 30.
Dyn’s corporate headquarters are in New Hampshire.
Natasha Khan at the Bowery Ballroom.photo: David ShankboneLizzy CareyCaroline Weeks.Abi Fry
Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.
We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”
Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”
Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.
DS: Do you have any favorite books?
NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.
DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!
NK: I haven’t seen it yet!
DS: Do you notice a difference between playing in front of British and American audiences?
NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.
DS: How many instruments do you play and, please, include the glockenspiel in that number.
NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—
DS: –I have a great photo of you playing the bass.
NK: I don’t think I’m very good…
DS: You look cool with it!
NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.
DS: Do you design your own clothes?
NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—
DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.
NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.
DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?
NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—
DS: —as are you—
NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.
DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.
NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.
DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?
NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.
DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?
NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.
DS: Is it always pine trees that you see?
NK: Yes, pine trees and sky, I guess.
DS: What things in nature inspire you?
NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.
DS: Are there man-made things that inspire you?
NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…
DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.
NK: Oh. My. God.
DS: If you go on her Wikipedia article it’s there.
DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.
NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.
DS: How are you received in the Pakistani community?
NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.
DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?
NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.
DS: Is it difficult to come to the United States to play considering all the wars we start?
NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.
Australian treasurer Joe Hockey has agreed to reconsider the Goods and Services Tax (GST) on tampons and other hygiene products after being confronted about the issue on Q&A Monday night. Mr Hockey was responding to a question from student activist Subeta Vimalarajah.
“I started a petition against taxing the sanitary products under the GST. It now has over 86,000 signees and 11,000 submissions to the Better Tax Review. Mr Hockey, do you think that sanitary products are an essential health good for half the population?” she asked.
“Do I think sanitary products are essential? I think so,” Mr Hockey responded “Should the GST be taken off them? It probably should, yes. The answer is yes.”
He said that he will raise the issue with the next meeting of the state treasurers in July.
“I understand there’s long been a push to take the GST off goods, which are one way or another regarded as health products,” Prime Minister Tony Abbott said. “It’s certainly not something that this Government has a plan to do.”
He said he interpreted Joe Hockey’s remarks as meaning it was a matter for the states.
Shadow Treasurer Chris Bowen said the matter deserved serious consideration.
“Why did it take till Mr Hockey was asked a question on live TV for him to acknowledge this was an issue?” he asked.
“I understand the concerns with taxing sanitary products — concerns that go back to the introduction of the GST by the Coalition.
“These are in effect health products and aren’t simply a matter of choice for women.”
The GST was introduced in Australia in 2000. The then Prime Minister John Howard said the tax on tampons was not a woman’s issue.
“I mean, of course if you look at tampons in isolation – just as you look at something else in isolation – you can mount an argument to take the tax off it,” Mr Howard said at the time.
“I could mount an argument to take the tax off children’s clothes. I could mount an argument to take the tax off old people’s clothes, I could mount an argument for a whole lot of things. But we’ve had that argument and if you start doing that, you will have no GST in the end, and the whole system will begin to unravel.”
A former Marsh & McLennan Cos. executive has hit former New York Governor Eliot Spitzer with a $60 million defamation lawsuit over an online magazine article regarding an insurance bid-rigging scandal.
William Gilman, a former Marsh managing director, filed a complaint last Friday in the U.S. District Court in Manhattan, over allegations Mr. Spitzer defamed him in a Slate article published a year ago. A copy of the complaint was made public on Monday.
Gilman, who had a final insurance fraud charge dismissed in January, said Spitzer acted with “actual malice” by suggesting that he was guilty of crimes of which he was never accused.
Although he wasn’t named in the article, Mr. Gilman complained that Spitzer defamed him by writing that “Marsh’s behavior was a blatant abuse of law and market power: price-fixing, bid-rigging and kickbacks all designed to harm their customers and the market while Marsh and its employees pocketed the increased fees and kickbacks.”
“While Mr. Spitzer’s statements do not refer to Mr. Gilman by name, Mr. Gilman is readily identifiable as the subject of the defamatory comments,” said the complaint. “Mr. Spitzer was well aware of his own allegations as attorney general and the resolution of those allegations in favor of Mr. Gilman and yet, recklessly disregarded these facts.”
In 2004 Mr. Spizter, then the state’s Attorney General, announced an investigation into the practices at Marsh & McLennan, particularly fees paid by insures to brokers who place business with them. Gilman, who worked for the company at the time, was charged in 2005 with 37 counts of insurance fraud. Gilman’s final charge was dropped last January.
“I haven’t seen the lawsuit and so will not comment on it,” said Spitzer. “The illegalities rampant at Marsh & McLennan leading to their fine of $850 million and the multiple judicial findings of illegality are clear from the public record.”
Mr. Gilman is now seeking at least $10 million in compensatory damages; $20 million in general damages, including damage to his reputation; and $30 million in punitive damages.
The UK’s Prince Harry of Wales is to be presented with a humanitarian award for Distinguished Humanitarian Leadership by the Atlantic Council, according to an announcement made by St James’s Palace today.
The recognition is for serving war veterans and the armed forces. He is to receive the award in Washington, D.C. on May 7 at the Atlantic Council’s yearly awards dinner.
Prince Harry means to accept the award on behalf of his brother, the Duke of Cambridge, and the Foundation of Prince William and Prince Harry, an effort established in 2009 that enables the princes to advance their philanthropic aspirations.
“Prince Harry will use the award to pay tribute to British and American veterans’ charities for their achievements in helping to rehabilitate wounded servicemen and women, and to reintegrate those who have served in the armed forces into civilian life,” said a St James’s Palace spokesperson.
Prince Harry also supports other charities including Help for Heroes, Army Benevolent Fund, and Walking With The Wounded. He also helps run Sentebale, an organization that supports underprivileged children in Lesotho, Africa.
“Old deeds threaten Buffalo, NY hotel development” — Wikinews, November 21, 2006
“Proposal for Buffalo, N.Y. hotel reportedly dead: parcels for sale “by owner”” — Wikinews, November 16, 2006
“Contract to buy properties on site of Buffalo, N.Y. hotel proposal extended” — Wikinews, October 2, 2006
“Court date “as needed” for lawsuit against Buffalo, N.Y. hotel proposal” — Wikinews, August 14, 2006
“Preliminary hearing for lawsuit against Buffalo, N.Y. hotel proposal rescheduled” — Wikinews, July 26, 2006
“Elmwood Village Hotel proposal in Buffalo, N.Y. withdrawn” — Wikinews, July 13, 2006
“Preliminary hearing against Buffalo, N.Y. hotel proposal delayed” — Wikinews, June 2, 2006
Original Story
“Hotel development proposal could displace Buffalo, NY business owners” — Wikinews, February 17, 2006
Tuesday, March 28, 2006
Buffalo, New York —The proposed Elmwood Village Hotel got the final approval it needed from the city of Buffalo’s Planning Board this morning.
In a unanimous vote, the Board approved most of the design and site plan of the hotel.
The Elmwood Village Hotel is a proposed hotel by Savarino Construction Services Corporation and is designed by architect Karl Frizlen of the Frizlen Group. It is to be placed on the corner of Elmwood and Forest Avenues in Buffalo and will require the demolition of at least five properties (1109-1121 Elmwood).
Despite the fact that today’s meeting was not a “public hearing”, several citizens lashed out at the Board after the approval.
“Thanks for destroying Buffalo,” said one man.
“[I am] disgusted. Because they did not allow the community to speak, it is the bastardization of the concepts of justice and democracy, and that’s what happened [today],” said Clarence Carnahan, a local business owner and concerned citizen, to Wikinews. He also referred to some board members as “immoral pigs.”
“[I feel] frustration because no one could speak. I was going to address the displacement of all the shops that are there and that they should be grand-fathered into the new space. We did not get to say that. [I am disappointed] that they are endorsing this enormous monstrosity.” said Nancy Pollina, co-owner of Don Apparel with Patty Morris at 1119 Elmwood.
Although the Board approved the hotel proposal, Savarino Construction must still go before the board to approve things such as signage and lighting. The Planning Board meets again on April 11, 2006 at 8:00a.m., but it is unknown if the hotel proposal will be on the agenda.
Pano Georgiadis, owner of Pano’s Restaurant at 1081 Elmwood and owner of 605 Forest Avenue in Buffalo, threatened to sue Savarino Construction at a public meeting on March 15, 2006 saying, “if you try to get a variance to change the code, I will sue you. This is my home, number one. If you go against city code, and you try to do the most rooms with a minimal amount of parking, again, I will sue you.”
Today, Georgiadis confirmed to Wikinews that he is “definitely” suing, but that his “situation is different” as compared to others looking into legal action. “This is my property. They did it [changed the code] without my approval.”
Last week, the Common Council voted and approved the rezoning of all five properties including 605 Forest.
Some are also considering taking the case to the New York State Supreme Court to “seek an injunction”and would go “pro se, meaning I am going to present the case myself,” said Carnahan.
Despite the approvals by the Common Council and Planning Board, organizers schedulaed another protest for Saturday April 1, 2006 at 2:00p.m. on the proposed site at Forest and Elmwood.
“We are not going to go down without a fight. We are going to go kicking and screaming,” said Pollina.
As the Australian Prime Minister John Howard celebrated his ten-year reign this week, Greens Leader Bob Brown marked the 10th anniversary of his election into the Federal parliament.
Only Prime Minister John Howard and Senator Bob Brown are left standing as leaders in the Australian Federal Parliament. Bob Brown was elected to the Senate in 1996, and re-elected in 2001. He has introduced bills for constitutional reform, forest protection, to block radioactive waste dumping, to ban mandatory sentencing, and greenhouse abatement.
Senator Brown says his party has hardly been in the balance of power at any stage, yet the Australian Greens have risen in popularity. “We’ve become the third major political party in the country and we’re on our way to becoming a real power broker in this country and ultimately, the aim has to be becoming part of the Government of the country,” he told ABC Radio.
While there’s perpetual media speculation over John Howard’s possible retirement, Senator Brown says he’s full of beans and ready for the next 10 years. “And there’s no speculation about me standing at next year’s election. I can’t wait,” Senator Brown said. “Our election aim will be to rescue the Senate from the Howard government, and doubling our team is not beyond reality.”
The Tasmanian Greens senator predicts his party could govern the country one day. “We’re on our way to becoming a real powerbroker in this country and ultimately the aim has to be becoming part of the government of the country,” he said.
The Greens started with Brown’s entry into the Senate after the 1996 election, doubled to two senators in 2001, and has four had senators represented since 2004.
The four Greens senators and their staff say they will celebrate with a chocolate cake – and 10 green candles. The government held a gala fundraising dinner in the Great Hall of Parliament on Wednesday night to celebrate Mr Howard’s milestone.
Senator Brown said the success of Prime Minister John Howard is in his ability to play on fears. “(Howard)… is able to “dig a little bit below surface to play on fears that people have. He has presided over a country where the rich have got richer much faster than the poor have seen their conditions improve,” he said. “And it is a country that says if you are down on your luck, bad luck. The good Samaritan aspect which is very strong in this country, doesn’t reside with this government.”
Of the Federal Labor Party the Greens leader said they should move back to humanitarian politics He said Labor was trying to swing to the right but had lost its way. “I think the Opposition has lost its way and I think it is going to get worse,” Senator Brown said. “The indications are that the Opposition thinks if it moves to the right it will do better,” said Senator Brown.
Bob Brown is among 20 environmentalists, organisations and concerned citizens who were issued a 216 page writ by the Tasmanian-based timber company Gunns Limited in December 2004. The woodchipping giant is sueing for a combined AU$6.3 million for actions it claims has damaged their business and reputation. The defendants say the case is ‘industrial’ style litigation, alleging conspiracy, interference with trade and business and defamation. Nine different campaigns are cited.
“Just like they told us that our bridges were safe, they also want us to swallow that our power grid is in no danger of a system-wide, no-power-for-weeks crash”, said tenured power grid expert Donald McCormick, a senior contractor with Hydro One, an Ontario, Canada based electricity provider.
Mr. McCormick indicated that in reality though, there’s no question that the system of grids that supply power throughout the continent are in much worse shape than the majority of bridges, levees and borders in Canada and U.S. He has over two decades of experience in all aspects of power grid construction, infrastructure, maintenance, and distribution. During a recent interview, Mr. McCormick compared the ten major interconnected power regions that comprise the “North American Grid”, to a string of Christmas lights that’s been active non-stop since the 1950s. Mr. McCormick’s qualifications include being a licensed red seal interprovincial/interstate electrical engineer and he’s worked at numerous power generating stations mainly in Canada, but also across the U.S. He’s participated in building regional infrastructure related to both generation and distribution. Additionally, Mr. McCormick is Orange Level qualified as an Atomic Radiation Worker (ARW) registered in Geneva, Switzerland.
Mr. McCormick offered his candid assessment of today’s continental “power grid” by making several observations about this critical, civilization-supporting industry. His power plant experience includes both nuclear and coal, and he’s a certified expert in alternative fuel technologies such as wind, solar and hydrogen. He said that, from nuclear to coal, the majority of power generating plants operating across North America have momentous deficiencies, and the collective 10-region “power grid” has not been maintained properly (across the board) since the 1960s. Population growth has created a state in which North American power consumption is far greater than what is being yielded by current technological capacity to generate consumable energy. Mr. McCormick indicated that the infamous August 2003 blackout, in which the Northeastern U.S., Mid-Eastern U.S. and most of Ontario suffered stifling, life-interrupting blackouts, was just the beginning of something much more significant. In reference to the North American Power Grid Initiative, he said that it’s nothing more than a case of, “too little, too late”.
“You’re frequently seeing substandard parts and equipment being employed, on sites across the continent, and being used for sensitive construction projects, often related to components integral to the grid system itself. North American nuclear energy generating plants are among the worst when it comes to safety violations, not only endangering on-site employees with blatant disregard but also literally thousands of people with regard to unregulated, unnoticed pollution and waste being dumped in rivers, lakes and oceans, into the atmosphere and, more specifically, our entire ecosystem,” said McCormick.
Mr. McCormick strongly feels that another major breakdown of the grid system may occur by the end of this year, and he further stated that he’s also concerned that domestic power grid system is in grave danger of being undermined by terrorists.
