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Tuesday, June 20, 2006

MP3s for the people? The Pirate Party, a new Swedish political party first publicized in January, wants to legalize sharing music, movies, and other copyrighted content using the Internet. What may seem like a doomed effort by a small group of idealists is attracting significant media attention, in part due to a recent police raid on The Pirate Bay, an extremely popular BitTorrent tracker (see Wikinews coverage).

The Pirate Bay allows people to download content listed in its database using the BitTorrent protocol (including the latest Hollywood movies or computer games) and has gained something of an international cult status, in part for its public and irreverent responses to legal threats received from copyright lawyers of major corporations. The site was reopened days after the raid on Dutch servers (but is now back in Sweden again). Rickard Falkvinge, leader of the Pirate Party, argues that regardless of the legal outcome in the case, the web site demonstrates that copyright law in its current form is not sustainable.

Adopting the moniker of the maligned “Internet pirates”, the party argues for drastically limiting the scope and enforcement of copyright law, abolishing patent law, and protecting privacy in what it sees as a “control and surveillance society”. The party is hoping to garner enough votes in the September election to become a small but important faction in the next Swedish parliament. Rickard Falkvinge found some time in between interviews and party work to answer our questions.

There are rumours that the Swedish government was indirectly acting on behalf of the U.S. MPAA in shutting down the site. Do you feel that your government is beholden to U.S. interests?

Oh, the MPAA said so themselves in a press release, it’s more than a rumor. Check their press release “Swedish authorities sink Pirate Bay”. [Ed.: see below]

And yes, this particular fact has caused something of an uproar in Sweden. It’s widely believed that Swedish authorities were more or less ordered by a foreign power to act forcefully against an entity that was in, at worst, a legal gray area according to Swedish law.

The raid must have boosted your recognition. How many members do you currently have, and how successful has your fundraising effort been so far?

Our member count is at 6540, no, 6541, no wait, 6543… well, you get the picture. Our members register themselves on our website after paying the membership fee electronically, which helps reduce our admin load considerably.

Fundraising brought in 108,000 SEK [Ed.: approx. 14,700 USD or 11,600 EUR], enough to buy 3 million ballots, which is some kind of at-least-we’re-not-starving minimum. We’re not full, but we’re not starving, either. Following the raid on the Pirate Bay, we have received another 50K in donations. My sincere thanks to everybody who wants to help out; we are now looking into getting more ballots to make sure we don’t run out on election day. (10 million ballots was our initial full-score aim.)

Do you think you will be able to cover future expenses such as radio and television ads?

Following the raid on the Pirate Bay, and our tripling of the member roster, we don’t need advertising. We’ve been mentioned almost every news hour across all channels on national television in the last week.

Also, the established parties have now started to turn, following our success. Parties representing almost half of the elected parliament are now describing today’s copyright situation as not working. They still don’t understand why, though, they are just echoing what we say without understanding what the words mean. We’ll get around to teaching them — them and the voters alike.

This might be hard for people not following the Swedish media to grasp, but we have made a big splash. Today, our Minister of Justice was quoted as saying that he’s open to changes to copyright laws that would make file-sharing legal, with the headline “Bodström (his name) flip-flops about file sharing.” Immediately underneath were the Pirate Party’s comments to his suggestions. Let’s take that again: when a minister makes a statement about file sharing, media calls us for comments, and publishes them next to that statement. That’s how big we have become since the raid on the Pirate Bay.

The Minister of Justice later denied having made that statement to the press that reported it.

We will never be able to pay for television ads, the way I see it. Unless a very wealthy donor comes on stage. (If any such person is reading this, we have planned how to spend up to $375,000 in a cost-efficient way up until the elections, on the chance that donations appear. That spending does still not include any TV ads.)

Are you aware of similar initiatives in other countries?

Some are trying, but none have achieved the necessary momentum and critical mass that we have. We expect that momentum to happen once we get into Swedish Parliament and show that it can be done.

[Ed.: A United States variant of the party was recently launched. See also: Intellectual property activism category on Wikipedia]

The name “Pirate Party” seems to identify the party with what is currently defined as a crime: piracy of software, movies, music, and so on. Will a name like “Pirate Party” not antagonize voters, given that the label is so negatively used? How about potential allies abroad who argue for a more balanced copyright regime, such as the Electronic Frontier Foundation or Creative Commons?

Oh, it is a crime. That’s the heart of the problem! The very problem is that something that 20% of the voters are doing is illegal by punishment of jail time. That’s what we want to change. Where the established parties are saying that the voters are broken, we are saying it’s the law that is broken.

Besides, it’s a way of reclaiming a word. The media conglomerates have been pointing at us and calling us pirates, trying to make us somehow feel shame. It doesn’t work. We wear clothes saying “PIRATE” in bright colors out on the streets. Yes, we are pirates, and we’re proud of it, too.

Also, the term is not that negative at all in Sweden, much thanks to the awesome footwork of the Pirate Bureau (Piratbyrån), who have been working since 2003 to educate the public.

If you are elected, and have the opportunity to become part of the next government of Sweden, do you intend to focus only on the issues in your platform (IP law and privacy)?

Our current plan is to support the government from the parliament, but not be part of it. If we’re part of it, that means we get a vested interest to not overthrow it, which puts us in a weaker position if they start going against our interests.

Overall, our strategy is to achieve the balance of power, where both the left and right blocks need our votes to achieve a majority, and then support the issues of whichever government that agrees to drive our issues the strongest. Basically, we sell our votes on other issues to the highest bidder in exchange for them driving ours.

Have you already made any contacts in Swedish politics?

Contacts… I’m not sure what you mean. Several of us have been shaking hands with some of the established politicians, particularly in the youth leagues, if that’s what you mean.

I was thinking along the lines of exploring possible modes of cooperation with established political parties — are you already taken seriously?

We are taken seriously by most of the youth leagues and by at least one of the represented parties. In particular, which is what counts, we are now taken seriously by national media. However, we can’t tie contacts that explore modes of cooperation quite yet — since our strategy depends on holding the balance of power, we need to not express a preference for whom we’d like to cooperate with, or we’d put ourselves in a weaker bargaining position.

What is your position on moral rights, as recognized by European Union copyright laws: the right of attribution, the right to have a work published anonymously or pseudonymously, and the right to the integrity of the work. Do you think these rights should be preserved?

We safeguard the right to attribution very strongly. After all, what we are fighting for is the intent of copyright as it is described in the US constitution: the promotion of culture. Many artists are using recognition as their primary driving force to create culture.

Publishing anonymously or pseudonymously happens every day on the Internet, so no big deal there either.

The right to integrity, however, is an interesting issue. We state that we are for free sampling, meaning you can take a sound that I made for my tune and use it in your own tunes, or for that matter, a whole phrase. That’s partially in line with today’s copyright law on derivative works; as long as you add your own creative touch to a work, you get your own protection for the derivation. We want to strengthen that right.

You might want to consider the alternative. In the 50s and 60s, a lot of rock and roll bands started doing covers of old classical music. This would almost certainly have been considered to violate the integrity of the original artist — and was considered to do so by many — but in the eyes of many others, it was instead great new culture of a previously unseen form and shape.

So I don’t have a definite answer on the integrity issue. While I am leaning towards the promotion of new culture taking precedence over a limitation right, there may be unconsidered cases.

Do you feel that trademark law is adequate as it is?

Yes. We have not seen any hidden costs to trademarks that outweigh the benefits of reducing transaction costs on a market where seller and buyer are not personally acquainted.

How do you intend to deal with EU treaties which define certain legal frameworks for the protection of intellectual works?

What can they do? Fine us? Send us an angry letter?

Come on, countries need to think more like corporations. If the fine is less than the cost to society, which it is in this case, then the right thing to do is to accept the fine with a polite “thank you”.

Actually, national media just called me about this very question; the Department of Justice has stated that we can’t allow file sharing, as it would break international treaties. My response was that it is more important to not have 1.2 million Swedes criminalized, than it is to avoid paying a penalty fee.

Do you think that weaker intellectual property laws would lessen the amount of products released in Sweden by foreign companies, such as Hollywood studios?

As long as they believe that they will have a revenue here that exceeds the cost of operations, they will keep coming here. Anything else would be wrong from a corporate standpoint.

Besides, you need to remember what we are doing is to change the map according to what reality looks like. We do not want to change people’s behavior. We want to change the law so it reflects what the world actually looks like.

So, as they apparently make a profit today, I expect that to continue.

Do you feel that the music industry in its current form will still be needed in a world where non-commercial copying is permitted?

It’s not so much if they are needed where non-commercial copying is permitted, rather if they are needed when they’re not necessary any more to be the middle man between consumer and artist.

The music industry will lose its current chokepoint, because they don’t add any value to the end product any longer. They will probably survive as a service bureau for artists, but they will not be able to control distribution.

It’s actually quite simple: if they get their act together and provide a service that people want to buy, they will remain. If not, they will vanish. Today, they have legislated that people must buy their service regardless of whether it adds value or not, and that’s not gonna hold in the long term.

Why fight against intellectual property laws, instead of focusing your energy on creating freely licensed content, such as Creative Commons films or open source software?

I want to raise the issue a level, to show that it’s not about payment models or what level of control the copyright holder chooses to exert over his or her work.

Let me put it this way: we have achieved the technical possibility of sending copyrighted works in digital, private communications. I can send a piece of music in e-mail to you, I can drop a video clip in a chat room. That technology is not going away, leaving us with two choices.

So — if copyright is to be enforced — if you are to tax, prohibit, fee, fine, or otherwise hinder the transmission of copyrighted works in private communications, the only way to achieve that is to have all private communications constantly monitored. It’s really that large.

Also, this is partly nothing new. We’ve been able to do this since the advent of the Xerox copier — you could photocopy a poem or a painting and put it in a letter in the mail. Again, the only way to discover or stop that would have been for the authorities to open all letters and check their content.

So we’re at a crossroads here. Either we, as a society, decide that copyright is the greater value to society, and take active steps to give up private communications as a concept. Either that, or we decide that the ability to communicate in private, without constant monitoring by authorities, has the greater value — in which case copyright will have to give way.

My choice is clear.

The Pirate Bay was shut down and re-opened days later on a Dutch server. According to a Swedish newspaper report, traffic has doubled since then. How long do you think the cat and mouse game will continue?

Until one of two things happen: The authorities realize they can’t enforce laws that require monitoring all private communications, especially given the large international level of grassroots support, or [they] actually start monitoring all private communications.

Sunday, May 10, 2009

It happens once a year. Nearly all of Europe’s eyes are on 25 musical acts on finale night. Whether you love it or you hate it, it has your attention. Hundreds of millions are watching them. Whether viewers are waiting for the performance of a lifetime or a hilarious slip-up, for those three minutes their attention is owned by each respective singer.

That’s the feeling that the entrants in Moscow will know on Saturday, and it’s also the same feeling the eight singers who were interviewed by Wikinews have experienced. Last week, eight singers from eight different countries took time out of their various schedules to discuss their favorite moments from competing, their own personal anecdotes, advice they give to the performers this year in Moscow, who they think will win, and most importantly to them, what they’re doing now and what they’re offering to their audience.

This is the sixth and final interview set the English Wikinews will publish in the run-up to the semi-final and final rounds of the Eurovision Song Contest. Mike Halterman conducted all interviews, and will conduct additional interviews after the Contest. The final round airs May 16 at 9 p.m. CET; check with your national broadcaster’s website for possible delays. Where available, the Contest’s final round will also be broadcast on national radio.

Jessica Garlick, originally from Kidwelly in Wales, became famous in 2001 for her participation in the singing competition Pop Idol, where she finished in ninth place. Four months later, she won A Song for Europe, the British national selection for the Eurovision Song Contest, and went on to represent the United Kingdom two months later at the Eurovision 2002 final in Tallinn, with the song “Come Back.” She placed third, which turned out to be the best result for the United Kingdom for the decade. Now 27, married and a mother, Jessica Garlick is returning to music with a new set of priorities.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Jessica Garlick: Right now I’m busy promoting my new single “Hard Not to Fall” which is due to be released this month…it’s available to download from iTunes from 9th May, with the official release being 25th May. I’m also currently co-writing my album, which will be released later on this year. It really does feel great to be back in the music industry.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Jessica Garlick: Some of my best memories from doing Eurovision would be visiting Estonia, I don’t think it’s a place I’d ever have visited if it wasn’t for performing there, and it really is beautiful. While I was there during the week I had the opportunity to fly out into the Baltic Sea via helicopter and spend the afternoon on board HMS Chatham too. I was allowed to drive the frigate, and got to perform to the troops on board, who were so appreciative.

I have so many more, and met such amazing people during the whole promotion and run-up period as well as the Eurovision week itself. My only regret is not taking as many photos as I would have liked to. So my advice to others doing Eurovision would be [to] definitely take lots of pictures, and really enjoy your performance and everything that representing your country brings with it.

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Jessica Garlick: I have been fortunate enough to have been able to perform alongside some of this year’s Eurovision entries, and was totally impressed! I love the Iceland entry this year…the song “Is it True?” is a really beautiful ballad, and Johanna sings it really well! I would say that from a song point of view, this is definitely my favourite song.

I do, however, think that the Ukraine could win this year! Svetlana‘s performance is crazy!! She’s absolutely wild! Her live performance is out of control! She is definitely “in it to win it”, and is going all out to ensure she does everything to make this happen. She is one to watch on the night for sure! There will definitely be something amazing going on on stage during her performance. She’ll keep you captivated, and make it memorable!!

((Mike Halterman)) A lot of the fans you had from when you were on Pop Idol and Eurovision 2002 don’t know the reason why you dropped out of music and out of sight. What happened? Also, do you find it difficult returning to the music industry after being away for six years?

Jessica Garlick: After Pop Idol and Eurovision I started to write songs…something I had never done before, and didn’t think I would be any good at. But I have been fortunate enough to travel the world since, co-writing with some of the world’s best songwriters. I decided to take a step out of the industry for a while in 2004 when I got married to my teenage sweetheart Owen.

I lost my passion for music for a while if I’m honest and we wanted to travel together for a bit, and actually moved to Australia for a short time, before I got totally broody. So in 2007 I gave birth to my little girl Olivia, and have been doing the wife and at-home mummy thing since, which I absolutely love!!

I made the decision to get back in the studio and start writing again in January of this year and it felt so good, and when I recorded “Hard Not to Fall” I knew it was a song that I wanted everyone to hear, and I completely got my passion and drive back for it. The music industry has changed a lot since I was last in it…but in actual fact it’s working better for me this time.

I have a lot more control, which is important to me, especially with Olivia being my main priority…I am first and foremost a mum, and I want to be a good one at that, and I’m also working with people that I really like and trust, which makes working together fun, and music should be fun. It’s definitely a lot harder this time around, as I am juggling “real life” too, and I can’t afford to be the selfish person that being successful in the industry can sometimes mean you have to be. I’m having the most wonderful time being back though, and am almost astounded by the great support I have from all my old fans. They’re the best!!

Ani Lorak, born Karolina Kuiek (the name “Ani Lorak” is “Karolina” spelled backwards), first became famous for her vocal talent in Russia and her native Ukraine in 1995. She took part in arguably the biggest performance of her career at Eurovision in 2008, placing second with the song “Shady Lady.” Celebrating her 30th birthday in September, she has kept up a busy schedule, including the release of a new album.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Ani Lorak: I’ve just released my new album called “Sontse” (The Sun). The album was written and recorded in Greece at the “VOX studio” by Dimitris Kontopoulos, who also helped with the song “Shady Lady” for Eurovision 2008. The album will be released not only in Ukraine but also in Russia.

In the autumn I plan to start a large tour of 25 cities in support of the new album. Also, we are planning to play some solo concerts in the Palace “Ukraine” in Kiev. I was pleasantly surprised when, at the beginning of the year, an award came to my office from the British radio station “Eurovision Song Contest Radio.” By audience vote, its listeners named me the “Best Female Singer for 2008” for my song “Shady Lady.” I don’t like to think ahead and to anticipate, but I’ll try to do as much as my energies will allow so people can be fulfilled in the future.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Ani Lorak: Because I participated in the contest only in 2008, I can remember it all: during the promotional tour I visited many countries in which I hadn’t been before. I met wonderful people: Dimitris Kontopoulos, Roberto Cavalli; I made new friends and supporters. [Editor’s note: Roberto Cavalli designed the diamond dress Ani Lorak wore during her Eurovision performance.] I had to work very diligently to get the result [I got].

In Eurovision I found the heart of this contest. The “Artistic Award”, which [they] usually hand to the best artist of the contest, [was given to me]; Raffaella Carrà invited me to her television program in Italy, and my tours took me further and further away geographically. I really liked the atmosphere of [the] contest. All the contestants were friendly, happy, helped each other, and supported one another. Those weeks were not simple, but very happy in my life.

I wish to all the participants lots of inspiration, tenacity, crazy energy, hard work and belief in yourself and your strength. It is not unachievable; the main thing is to settle for being frank and sincere to the audience.

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Ani Lorak: I can say one thing – Eurovision is a very unpredictable contest, and to do any predictions is very difficult. I know that in Moscow this year there will be many very well-known professional artists: Sakis Rouvas and Patricia Kaas. The main thing in this contest is to enter the scene and present for your country 200%. I wish good luck to all participants, but I’ll root, as a patriot, for my country.

((Mike Halterman)) What goals have you not achieved yet in your career, but would like to eventually?

Ani Lorak: We have a proverb: “If you want God to laugh, then tell Him about your plans.” It’s important to have enough strength for my professional accomplishments, for my career, and for my eventual creative achievements. But all this must go together with my personal life. I want to realize my self-worth in all spheres. Maybe I’ll open my own clothing line.

But most importantly for me, every day I will raise the bar with regard to my professional development as a singer and artist. The main point – I have everything ahead of me, and I will go to [any lengths to] achieve my dreams — my Oscar is yet to come!

Marija Naumova, who goes by the stage name Marie N, is best-known to European audiences for winning the Eurovision Song Contest for Latvia in 2002 with her song “I Wanna.” The next year, she hosted the Contest in Riga with past Latvian entrant Ren?rs Kaupers. Now 35, she has moved a lot of her focus to musical theatre and is very serious about honing her talent.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Marie N: At this time I am a student at acting school in Paris, so now all [my] plans are more about theatre, but I also started to work on my new album and I hope that at the end of the year I [can] present that to [the] audience, but I think that at the moment it’s too early to talk about it. [smile]

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Marie N: I liked everything during the week we spent there. We really had a lot of fun. The [atmosphere] was very professional, participants were very friendly…but the most emotional [part] was our trip back home – the way from Tallinn to Riga by bus with the police accompanying us and people waiting for us with flowers along the road…

The only advice is to enjoy every moment and especially the three minutes of the presentation – it is really something special. [smile]

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Marie N: I think that there are a lot of songs which have chances to win, but it depends on the energy that [the] singers will bring with them [to] the stage on that special evening.

((Mike Halterman)) Which task was more fun for you, winning Eurovision or hosting it the next year? Which one made you more nervous, and why?

Marie N: Of course singing was more fun than the hosting because you are responsible only for yourself, but hosting brings a responsibility for the whole show. I wish all the best for all the participants; enjoy. [smile]

Niels Olsen, nicknamed “Noller,” (pictured, left) and his older brother Jørgen (right) make up the duo The Olsen Brothers. A well-known act in Denmark since the early 1970s, the duo successfully staked a new claim to relevance by winning the Eurovision Song Contest in 2000 with the entry “Fly on the Wings of Love.” Now 55, Niels Olsen uses every chance possible to let his audience know that age is simply a number, especially in Eurovision which tends to favor younger entrants.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Niels Olsen: We are working on a new album and we will make a small tour to Sweden, Norway and Denmark for the rest of the year, so that’s what our fans can expect. The album will be released in 2010.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Niels Olsen: The best memory…well, it’s hard to say…we had a lot of fantastic memories from Stockholm in 2000. We will never forget the love we received from the public in all the European countries right after Stockholm, and the response from the Swedish people at the event. Apropos, I said to my brother after the first performance, “Well, Jørgen, I think it could be possible for us to have a hit in Sweden!!”

I would say to a “new” artist: Remember that you are not the center of the universe, and in a world perspective, the situation is not that bad if you lose the Eurovision. Stick to the ones you love and try to involve people you believe in, not the ones who promise you everything in life. In our case we have had the same manager for 35 years, we have been working with our friend and producer Stig Kreutzfeldt for 25 years, and so on. We have [made] several hits the last 35 years with these fantastic friends.

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Niels Olsen: Well, I haven’t heard all the songs, but I personally find the Danish, the English, and the Swedish songs very nice, but as I [said], I haven’t heard all the songs yet.

((Mike Halterman)) The Danish version of your winning song implies women “get better with age.” Which women in the entertainment industry do you think personify that sentiment, and why?

Niels Olsen: Personally I think my wife is still a beautiful woman, but I think as you said “getting better with age” is not the right word. My wife is still a lively and attractive woman, and we are both in love with life. I also think that a woman like Annie Lennox is a beautiful woman, even though she is past 50. (Sorry, [I know] we don’t talk about a woman’s age normally. Sorry, Miss Lennox.)

Hanna Pakarinen, from Lappeenranta in Finland, first became well-known in her home country for winning the Idols television series in 2004. In 2007, she was chosen to represent Finland at Eurovision, placing 17th in the final with the song “Leave Me Alone.” Her most recent album went gold this year, and she celebrated her 28th birthday last month, her combined CD sales having risen to over 180,000.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Hanna Pakarinen: I released my fourth album “Love in a Million Shades” earlier this year, and now I’m doing gigs around Finland.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Hanna Pakarinen: I think the best memory is the moment when I got up on stage in the finals. That was amazing!

It’s hard to give any advice, but I think the only thing that’s important is just to be yourself and have fun. [smile]

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Hanna Pakarinen: Of course I think the best song is the Finnish song. [smile] It’s very hard to say who is going to win; it’s the same thing every year, you never know!

((Mike Halterman)) Apart from music, what are some things that are very close to your heart? How would you like to use your popularity to help others?

Hanna Pakarinen: My family and friends, of course, and my hometown and the lake there.

I’m not really a big fan of the idea of being a role model but I’m trying to do my best, showing and telling the fans that the most important thing is to love yourself and be who you are. And always trust yourself, of course!

Charlotte Perrelli, originally Charlotte Nilsson, was an alumnus of two popular “dansbands” in Sweden before winning the Eurovision Song Contest in 1999 with the song “Take Me to Your Heaven.” She quickly became one of Sweden’s most popular solo artists, and released six albums which all charted in the Swedish Top 40. In 2008 she returned to Eurovision with the highly favored “Hero,” only to be saved at the last minute by jury decision and ranking a low 18th out of 25 nations in the final round. Perrelli, now 34, discusses her achievements and favorite moments of the past decade.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Charlotte Perrelli: I’m searching for new songs to [include on] my upcoming album. I´m also on the jury for the Swedish TV show Talang (Talent; the Swedish version of the “___’s Got Talent!” TV series). They can expect a new album, hopefully this year.

((Mike Halterman)) You went to Eurovision twice, winning the Contest in 1999 and then also entering last year. What were some of the best memories you had from both times you went to Eurovision?

Charlotte Perrelli: The victory in Jerusalem in ’99 was fantastic, of course. My funniest memory was when Dana [International] fell on-stage, it was unbelievable and I felt sorry for her. Last year I had a lot of memories. Everything was so different from ’99. So much bigger!

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Charlotte Perrelli: I like many of the songs this year, but I believe Norway will win.

((Mike Halterman)) Which of the songs you’ve recorded is your favorite?

Charlotte Perrelli: Hmm. I have many favorites, but “Black and Blue” from my last CD is a great song; [it was] written by Fredrik Kempe. I love the lyrics.

Sirouhi Haroutunyan, nicknamed Sirusho, has been one of the most popular pop singers in Armenia since the release of her first album at age 13. In 2008, she represented Armenia at Eurovision, finishing in fourth place with the song “Qélé, Qélé.” Now 22, she is close to finishing her bachelor’s degree while still keeping up an active pace of performances and studio sessions.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Sirusho: I am currently working on a few big projects, one of them is the new song”Time to Pray” that I have made with my colleagues from Eurovision, Boaz Mauda and Jelena Tomasevic. The song is a protest against war, and the English lyrics are written by the President of Israel, Shimon Peres. I am also working on my fourth album which will be released in [the] summer. I also premiered my new song in Greek, “Erotas”, and it is already number one [on] all the Armenian music charts. My fans are very strong and it’s only a pleasure to work hard for them.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Sirusho: Eurovision is a big fun festival. I don’t want to call it a competition, because the contestants become friends. I wish for the participants to really enjoy [themselves] and not be scared of it. Eurovision can give and take so much; it took my career to a new level, [and] now I work and have fans all over Europe and it’s amazing.

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Sirusho: I have met some of this year’s participants in different countries where I was singing as a guest and they were doing their promo tours. I haven’t seen all the performances so I can’t judge. Also, Eurovision is all about unexpected surprises; that’s what makes it interesting.

((Mike Halterman)) You pursued a bachelor’s degree in international relations. How do you wish to utilize your degree? If you had to stop singing tomorrow, what kind of career would you want to pursue with the degree you hold?

Sirusho: International affairs is something that had interested me. I like to learn. I always tend to learn more but I don’t even want to think about stopping my career. I was born with it, it’s a big part of who I am, and even if something happens to my vocal cords, I can go on with writing and producing songs for my colleagues…[but] enough about that; I still have so much in me to give to myaudience!

Taj?i, born Tatjana Matejaš, shot to fame in Yugoslavia at the age of 19, achieving diamond sales with her signature hit “Hajde da ludujemo“ (Let’s Go Crazy). She performed the song at the Eurovision Song Contest in 1990, held in her hometown of Zagreb, and placed seventh. The war in the former Yugoslavia cut her career short, and she moved to the United States, where she has lived for the past 17 years. She now tours with her husband across the United States, performing selections of contemporary Christian music. At 38, she is overjoyed to “have it all”: a family of her own and the chance to make music on her own terms. Her career is chronicled on her website.

((Mike Halterman)) What projects are you working on? What can your fans in both America and in Europe expect to see from you this year?

Taj?i: Apart from my regular tours, which I do four a year, I am working on a show called “Need a Break,” which is a bit of a step from my spiritual music and more “everyday.” It’s more what mothers go through, with marriage and kids. It’s a funny show. What I do well is I tell stories. It’s how I am. It’s who I am. It’s why pop music didn’t work for me as an artist. This new format is great for me, it’s very fulfilling and I’m very excited and looking forward to it, being able to do that and explore musical styles.

I’m also hoping to go to Zagreb this year and bring my new music to them. I think it’s time. I’ve been away for 17 years, and they still play my old music, and occasionally I go there and do radio and television interviews…I don’t know, it’s time for them to see what I’m doing. Anyone can see my stuff online, but what I do best is live; there’s a lot of energy and power there that you can’t really see in a recording or in a video. It’s different when you’re actually in the room. I want to bring it to them and say, “Here, my countrymen, my old fans, this is who I am now. This is how I grew over the last 17 years.” Kind of like a reunion.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Taj?i: I really enjoyed performing, I enjoyed the energy, everyone coming together and singing, talking with other people about their careers. That was the highlight. I didn’t care for the press or the competition aspect, but there’s so much to think about, the whole country is looking at you. I don’t think it could ever be just about music, it’s more political. But there’s always stuff that comes with it when you have any kind of gathering like that.

The time I was there, I was the last representative before the fall of Yugoslavia, and it was during the unification of Europe, and everyone was a bit more tense and elevated in that regard…and I was so young to experience all of that. I don’t think I knew what to quite make of it. But it was a great experience, I’ll always remember it. The night of my life, one of them anyway.

It’s also very emotional because the singer who won that year sang about “unite unite, Europe.” It was perfect at that time. After he won, in the green room, he pulled a red rose from the bouquet and gave it to me, and he paid me some compliments. For a 19-year-old girl, that meant a lot.

My advice is to have fun, and do it with all your heart. Don’t do it for the sole reason to win, not to launch your career, but because you love it, and it’s what you do and you’re good at it. You can be an inspiration to someone and it can be more than just providing entertainment.

((Mike Halterman)) The music videos for this year are up at http://www.youtube.com/eurovision . Which songs are your favorites and which country do you think has the best chance of winning?

Taj?i: Since we’re in the middle of a tour, I kind of scrolled through, and I think the quality of the songs are really wonderful. I feel like I want to pack my bags and go to Europe for the summer, because I think this is going to be a summer for some great club music!

I’m partial to countries [who sing] in their original language, and I can see how a lot of countries, how even when they do the dance number and include ethnic elements, I like that.

I like the guy from Norway, I think he’s so sincere and didn’t look to me like he was “trying” anything, he was just being himself. The song is nice and happy. It doesn’t hurt that he’s really handsome, and has a good aura about him. He had so much energy, and he grabbed me right away, the way he moved, the way he sang, it just pulled me in.

I also love Malta, I’m a fan of the big ballads. She has a beautiful voice. And Cyprus, she “did it” for me too. I also like the French song as well, but I also love the French language in general. Bosnia has a good song too, they have a certain sentiment that they always pull from and it works for them. Croatia, I wasn’t too blown away, but I’m proud of them for still singing in Croatian, even though it may not sound as pretty as English to some people. Everything else, it was like, “It’s beautiful, but I’ve seen it before.”

Everything seems like Hollywood now, I guess because it’s the times we live in now. All the girls are so pretty and the hair and makeup are perfect, and now I feel like an old lady, but I miss the characters from different parts of the world. It’s influenced so much by Hollywood and the Western music industry. It was inevitable, the melting of it [East and West] all into one, so I’m partial to bringing some sort of local element into it. It comes with finding your identity and finding your place in the world as a country.

I volunteer and give my time to a local school and teach the schoolchildren ethnic dances. I live in the Midwest now, but I used to live in Los Angeles and New York where they are a little more aware of ethnic groups. I’m teaching them these dances to give them a little sense of what’s being lost to the new kinds of culture and music. I teach some kids who were adopted from other countries, and I wonder, wow, are they ever going to be able to sing a song in Bulgarian, or Italian, or what have you?

My kids are half-American and half-Croatian, and I see how in my own life, being “globalized” and how people are losing the ethnic folklore and culture and all that, so with my kids, I try to teach them language and how to dance, because it’s the way I grew up.

((Mike Halterman)) I watched a clip of your documentary on YouTube, and I noticed one of the comments, asking you “not to forget your home, Croatia,” and to come back because the fans there miss you. Now that you’ve made a life for yourself in America, do you ever see yourself moving back to Croatia with your family? Which country do you feel more ties and loyalty to, the United States or Croatia, and why?

Taj?i: I want to take the kids and at least spend a year there when they’re teenagers, so I can show them my country and so they can learn different things there. But I don’t know, once you leave, it’s hard to go back. I miss my country, I miss the history. I miss my roots. I miss running into a friend and talking about high school and grade school, stuff that you don’t have when you move away. I love what I do, and I love what America has to offer, and what America did offer to me. There’s a certain kind of freedom that you have that you can’t have in a smaller country.

I will always be Croatian, it doesn’t matter how long I stay here. When I go home to Croatia, when I go there, I feel like I’m home, but when I come back to America, I feel like I’m home here too. I guess I have to say that a person can be “home” anywhere if they have peace within themselves. You’re gonna miss a lot of things about places you have been, and I do miss Croatia. I want to show my kids where I grew up and the parks where I played. That just may be a sentiment I’m going through right now, I don’t know. I have a good life, my husband and kids, and I love being able to make the kind of music I want to, without any contracts or obligations. I’m very happy.

Friday, May 16, 2008

Controversy has arisen over the reported presence of blue asbestos on the MV Freewinds, a cruise ship owned by the Church of Scientology. According to the Saint Martin newspaper The Daily Herald and the shipping news journal Lloyd’s List, the Freewinds was sealed in April and local public health officials on the Caribbean island of Curaçao where the ship is docked began an investigation into the presence of asbestos dust on the ship. Former Scientologist Lawrence Woodcraft supervised work on the ship in 1987, and attested to the presence of blue asbestos on the Freewinds in an affidavit posted to the Internet in 2001. Woodcraft, a licensed architect by profession, gave a statement to Wikinews and commented on the recent events.

According to The Daily Herald, the Freewinds was in the process of being renovated by the Curaçao Drydock Company. The article states that samples taken from paneling in the ship were sent to the Netherlands, where an analysis revealed that they “contained significant levels of blue asbestos”. An employee of the Curaçao Drydock Company told Radar Online in an April 30 article that the Freewinds has been docked and sealed, and confirmed that an article about asbestos ran in the local paper.

Lloyd’s List reported that work on the interior of the Freewinds was suspended on April 27 after health inspectors found traces of blue asbestos on the ship. According to Lloyd’s List, Frank Esser, Curaçao Drydock Company’s interim director, joined Curaçao’s head of the department of labor affairs Christiene van der Biezen along with the head of the local health department Tico Ras and two inspectors in an April 25 inspection of the ship. “We are sending someone so that they can tell us what happened, where it came from, since when it has been there,” said Panama Maritime Authority’s director of merchant marine Alfonso Castillero in a statement to Lloyd’s List.

The Church of Scientology purchased the ship, then known as the Bohème, in 1987, through an organization called Flag Ship Trust. After being renovated and refitted, it was put into service in June 1988. The ship is used by the Church of Scientology for advanced Scientology training in “Operating Thetan” levels, as well as for spiritual retreats for its members. Curaçao has been the ship’s homeport since it was purchased by the Church of Scientology.

According to his 2001 statement, Lawrence Woodcraft had been an architect in London, England since 1975, and joined Scientology’s elite “Sea Organization” (Sea Org) in 1986. He wrote that he was asked by the Sea Org to work on the Freewinds in 1987, and during his work on the ship “noticed a powdery blue fibrous substance approximately 1 ½” thick between the paint and the steel wall,” which he believed to be asbestos. He also discovered what he thought was blue asbestos in other parts of the ship, and reported his findings to Church of Scientology executives. Woodcraft discussed his experiences in a 2001 interview published online by the Lisa McPherson Trust, a now-defunct organization which was critical of the Church of Scientology.

Church of Scientology spokeswoman Karin Pouw responded to Radar Online about the asbestos reports, in an email published in an article in Radar on May 1. “The Freewinds regularly inspects the air quality on board and always meets or exceeds US standards,” said Pouw. She stated that two inspections performed in April “confirmed that the air quality is safe,” and asserted that the inspections revealed the Freewinds satisfies standards set by the United States Occupational Safety and Health Administration and the U.S. Clean Air Act.

Pouw told Radar that “The Freewinds will be completing its refit on schedule.” The Church of Scientology-affiliated organization Citizens Commission on Human Rights (CCHR) had been planning a cruise aboard the Freewinds scheduled for May 8, but according to Radar an individual who called the booking number for the cruise received a message that the cruise had been delayed due to ongoing work on the ship. Citing an article in the Netherlands Antilles newspaper Amigoe, Radar reported on May 6 that a team from the United States and supervised by an independent bureau from the Netherlands traveled to Curaçao in order to remove asbestos from the Freewinds.

“I stand by everything I wrote in my 2001 affidavit,” said Lawrence Woodcraft in an exclusive statement given to Wikinews. Woodcraft went on to state: “I would also comment that if the Church of Scientology claims to have removed the blue asbestos, I just don’t see how, it’s everywhere. You would first have to remove all the pipes, plumbing, a/c ducts, electrical wiring etc. etc. just a maze of stuff. Also panelling as well, basically strip the ship back to a steel hull. Also blue asbestos is sprayed onto the outer walls and then covered in paint. It’s in every nook and cranny.”

Many Scientologist celebrities have spent time aboard the Freewinds, including Tom Cruise, Katie Holmes, John Travolta, Kelly Preston, Chick Corea, Lisa Marie Presley, Catherine Bell, Kate Ceberano, and Juliette Lewis. Now magazine reported that Tom Cruise has been urged to seek medical attention regarding potential asbestos exposure, however a representative for Cruise stated he has “absolutely no knowledge” of the recent asbestos controversy. Cruise, Holmes, Travolta and Preston have celebrated birthdays and other events on the Freewinds.

In a May 15 statement to the United Kingdom daily newspaper Metro, a representative for the Church of Scientology said that “There is not now and never has been a situation of asbestos exposure on the Freewinds.” The Asbestos and Mesothelioma Center notes that agencies have recommended anyone who has spent time on the Freewinds consult with their physician to determine if possible asbestos exposure may have affected their health.

Raw blue asbestos is the most hazardous form of asbestos, and has been banned in the United Kingdom since 1970. Blue asbestos fibers are very narrow and thus easily inhaled, and are a major cause of mesothelioma. Mesothelioma is a form of cancer which can develop in the lining of the lungs and chest cavity, the lining of the abdominal cavity, or the pericardium sac surrounding the heart. The cancer is incurable, and can manifest over 40 years after the initial exposure to asbestos.

“This is the most dangerous type of asbestos because the fibres are smaller than the white asbestos and can penetrate the lung more easily,” said toxicologist Dr. Chris Coggins in a statement published in OK! Magazine. Dr. Coggins went on to note that “Once diagnosed with mesothelioma, the victim has six months to a year to live. It gradually reduces lung function until the victim is no longer able to breathe and dies.”

Friday, March 20, 2009

Following the Pilkhana massacre which occurred February 25 and 26 leaving 74 dead and the inferno at the Bashundhara City shopping mall complex March 13 leaving seven dead, Prime Minister Sheikh Hasina said security measures are being tightened countrywide across Bangladesh.

Fire drills will be enacted at all key-point installations (KPI). Fire fighting systems will be examined by the fire brigade and the public works department (PWD) to ensure functionality. Security measures will be enhanced supplementing areas under private security such as at the Bashundhara City Complex.

The Fire Service and Civil Defence Department requires modernization and needs new equipment to fight fires past the sixth floor of buildings. The Fire Brigade says it needs turntable ladders, snorkels, foam-tenders, lighting units, emergency tenders, fireproof uniforms, and rescue ropes for fire fighting and rescue operations. Transportation to fires is also an issue due to narrow roads, low electrical wires and congestion.

The Bangladesh National Building Code requires fire fighting equipment installed in buildings over seven floors. This code is to be monitored by authorities to ensure compliance with the new guidelines and to make sure buildings are being maintained.

The Bashundhara City Complex opened Monday for shoppers two days after Friday’s blaze. A probe is underway to determine the cause of the fire and to assess structural damage.

Loss of life was minimized as the blaze broke out on a Friday, the beginning of the weekend in Bangladesh, so offices in the upper floors were empty. The lower eight floors are used for shopping and the upper floors are all Bashundhara Group offices.

The mall is valued at Tk 7.0 billion (US$100 million). It is not known if the complex is covered by fire insurance.

It is estimated that it will take over two years to rebuild the area damaged by flames which were burned down to a skeleton. Bashundhara City’s technical advisor, Latifur Rahman, estimated damages at Tk 2.0 billion (US$29m).

Only one television cameraman has been allowed in to film the burnt area. None of the 2,500 shops, cinemas or cafes were burnt by the inferno. The seventh and eighth floors still experience smoke damage, and there was water damage to merchandise.

A three member committee is currently investigating the cause of the fire which will consist of Iqbal Khan Chowdhury, joint secretary of the ministry, representatives of the police, IGP Noor Muhammad, and fire brigade, Director General Abu Nayeem Md Shahidullah. The committee is required to report within the week with their findings. The forensics department is also sifting through the burnt remains.

The Dhaka Chamber of Commerce and Industries has also formed a committee which has begun interviewing witnesses and recording their testimony alongside the government committee.

It has been discovered that 150 closed circuit cameras were not being used when the fire started. Another mystery is why the mall fire fighting system has been found unused.

“In the shopping mall there is an ultra-technology elevator which runs even without electricity but we have found that locked,” Iqbal Khan Chowdhury, joint secretary (Police) of the home ministry, said. “Why the fire burnt so fiercely is a matter to think. We have to see if there was any incendiary substance there. These matters seem to be mysterious.”

Mall management has been asked to submit substances and items which would have been in the upper floors when the fire started. The fire erupted on the 17th floor and spread quickly to the two floors above and engulfed the three floors below. The aerial ladders belonging to the Fire Service and Civil Defence reached as high as the 13th floor of the 21-storey building.

Videos have been sent to the United States (US) for examination to assist in determining the cause of the fire and to help in the damage assessment. Experts from the US are expected to arrive soon.

Firefighters were brought to the rooftop of the 20-storey tower by helicopter. The only fatality in this operation was Baki Billa, a firefighter of Bashundhara City firefighting department, who fell when climbing down a rope from a helicopter to the roof of the building. Three other firefighters made the transition safely. At this same time, the chief security officer was safely rescued by the Bangladesh Air Force helicopter, a Bell 212. Six security officers of the complex also lost their lives.

Wednesday, May 19, 2010

The investigation into the plane crash that killed Polish President Lech Kaczy?ski has revealed that passengers were in the cockpit of the crashed plane.According to the head of the technical commission involved with investigating the crash, Alexei Morozov, the crew of the aircraft had been warned of limited visibility, although it has not been determined whether or not the crew’s decision to land had been influenced by the passengers on board. The cause of the crash has not been identified, although the possibility of an explosion or terrorist attack on board the aircraft has been ruled out.

Morozov also said that the crew on board the plane had not been properly trained for the flight, and had been assembled only a few days before the flight. He said that the crew “did not undergo regular simulated training, including the practice of co-ordination and emergency situations during flights.”

The overall leader of the investigation, Tatyana Anodina, confirmed that unauthorized people had been in the cockpit near the end of the flight, saying that “in the cockpit there were individuals who were not members of the crew.” One person had been identified, although their name has not been released. Anodina said that “[t]he voice of one of them has been identified exactly, the voice of the other, or the others, will require additional information from the Polish side.”

The investigation also found that the aircraft involved had been in normal operating condition; Anodina said that “[t]he engines were working up till the moment the plane collided with the ground.”

Monday, December 3, 2007

The caretaker prime minister of Belgium, Guy Verhofstadt, reappeared on the political stage today as he accepted the royal request to suggest solutions to the ongoing federal government formation talks.

Recollecting his statement to the press on June 10, 2007, when he recognised his electoral loss and the victory of his opponent Yves Leterme, he told reporters today that he “hadn’t thought nor hoped to face you once more, but the King has asked me to inform him on a short term about possible strategies to deal with the political stalemate in which we have ended up over the last few months.”

Indeed, after 177 days, the country’s political parties have still found no compromise on the roles of the French- and Dutch-language community. Two days ago, Leterme returned to King Albert II to tender his resignation as leader of the formation talks.

The incumbent PM said he would discretely contact the leaders of all democratic parties during the next few days. He said his starting point would be dual: the country needs a considerable reform of its federal status, and there are certain urgent problems that outrange the capacities of the caretaker government dealing with the ongoing affairs.

Verhofstadt called for all involved to take responsibility, in the interest of the country and its citizens.

Wednesday, November 3, 2010

A song released yesterday in support of the BBC is making an impact on several UK music charts.

Stand-up comic Mitch Benn wrote I’m Proud of the BBC in response to the criticism the licence fee-funded corporation has received from its commercial competitors and the right-wing press. The Conservative-led coalition government announced two weeks ago that the licence fee is to be frozen for six years, and that the BBC will take over responsibility from the Foreign Office for funding the World Service.

The song, loosely inspired by Billy Joel, lists many of the BBC’s achievements. Benn, a regular on BBC Radio 4’s satirical programme The Now Show, decided to release I’m Proud of the BBC as a single after realising that it was provoking emotional responses from audiences during his nationwide tour. He told BBC Radio 5 Live that the song was receiving standing ovations, and people were wiping away tears. A video was filmed last month outside of Broadcasting House, White City and Television Centre with a cast of volunteers recruited from the social networking site Twitter.

The song was officially released as a ‘download-only’ track on Monday. Yesterday’s charts reveal that it has reached pole position on Amazon’s rock chart, and is listed as the 14^th most downloaded track overall. iTunes listed it as the 64th most downloaded song. Fans have created two Facebook groups to promote the single in an attempt to get it to a good position in the UK Singles Chart, which would force the BBC’s commercial rivals to play the track.

Benn says that he has always been a supporter of the BBC, and yesterday compared it to the emergency services. “You also pay for the Fire Brigade, whether or not your house burns down. Public service.” He points out that he only receives a small percentage of his income from the corporation; last night he played with his band The Distractions at the Bloomsbury Theatre in London.